we re not sure if theres been a whole lot of russian vocal led synthy disco around of late / ever, but we definitely like the idea of it. and so we have the first release on the brand new tirk affiliated label nang. d pulses sound is a sonic cocktail that represents the different flavours of its ingredients. great for dancing, as well as regular home listening, making love or preferably cooking. you can call it russian house, full of spirit, soul and its own philosophy. now on to the tunes. the foto mix of more combines cold robo synth bass and stripped back rhythms with the haunting tale of love, loss and the ultimate fulitility of existence (probably). the original mix lives up to the live jam side to the d pulse manifesto with organic funk and jazzy chops leading the way. fellow russian alcos coolkas carries on where his new work on tirk left off, with simple but sparkling and sophisticated electronics working away with snippets of the vocal to mesmerising effect. the package rounds off with the spacey, warm, instrumental highway to saturn. nang has launched!

deeply rooted house records is proud to present the first record by francois x, a well known figure of the parisian underground house scene. francois x is a big fan of the deep dark and underground berlin techno scene, it is quite obvious on bane and plane. this is the third release in the future roots serie where we try and present new talents. enjoy!

made to play welcomes zombie disco squad to its demented label stable and celebrates by unleashing the bombs that are heavy breathing and vie! straight out of the underground tombs of house stomp the zombie disco squad. they have already picked up support from across the board including jesse rose signing them exclusively to made to play but not before one mr claude vonstroke stepped in for a single on dirtybird. influenced by everything from balie funk and hip hop to deep house, techno and graveyards the multi-talented production duo are taking house to new levels. they are getting plays from underground big guns such as luciano, ricardo vilalobos and frankenstein as well as radio 1s annie mac, pete tong and zane lowe. as djs they regularly touch down in clubs such as fabric in london, hive in zurich and berlins panorama bar where they are residents at the regular made to play label night. if you dont know then get to know as your going to be hearing a lot more from the zombie disco squad as the undead come to life in 2009.

incl remixes by style of eye (pickadoll) and popmuschi !!

la danse de l hibouthe fourth release with bucketround follows the path left by his past references, not disregarding the exploration of new horizons. oval future face (bucketround recs) grants us his peculiar way of understanding electronic music. avoiding the hype or settled guidelines la danse de l hibou brings us right in the middle of the night where nocturnal birds of prey hunt. we are in front of his deepest work so far, full of details and rhythmical shifts shrouded in minimal sound with its own soul... as if it was meant to be just for this work, it is apt for lounge listening, dancefloors or even forests. the re mixes collection does not fall short on quality: pablo bolivar (regular) as usual everything he touches turns into gold and this time pablo does not disappoint. nimble groove full of hectic changes and sudden pauses enriches this melodic remake. a real dancefloor hit. angel galan (add sensor) theres no rule for crafting remixes and angel is the clearest example. an amazing explosion of multicolor strokes transformed into tangled logic sound.

incl district one rmx!! marcus meinhardt is ready to rumble coming up with his new single in the ring a, after buenaz nochez, jerry lee and pacey lynn. the woman who just announced the uy 22 left the stage and with fast, accurate combinations marcus is in the in fight without clutching and persistence. on his conditional high, hes proceeding with his successful series and lands a few, perfectly placed, deep hits in the base area and still stays agile when it comes to headwork. he finally had the crowd on his side after he finished the fight early with the lucky punch. equal scenes on the other side in the ring b, where bart skils and anton pieete step up with a humbler beatfrequency. here, the dutch are able to build up an immense amount of pressure into their hook and into their right and… another lucky punch knocks down the enemy: k.o.

hit alert: as already tipped in the cool cuts chart in music week - where the track has been recently hitting the top 20, thats jazz is an old school jazzy house groove and definitely one of the most surprising and euphoric track surfaced in miami this year. already playlisted from bbc, galaxy fm, kiss fm and radio fg and supported from adam shaw, glenn morrison, riva starr, dj chus, robert owens, hector romero, freeform five, john acquaviva, jim rivers, gold ryan, tiger stripes, cicada, atfc, sultan & ned shepard, gus gus, elite force, audiojack, rob mello, chris lake and satoshi tomie.

moeller s third, already highly anticipated ep for third ear, following the jazz space ep (3eep-068) and the one man s junk ep (3eep-088).once again we have selected 4 cuts of varying mood and intensity to create an ep offering many possibilities for the dj and a rewarding home listening experience. a1 - traffic (new wipers mix) is a driving wide-screen track which will turn the dancefloor into a heaving mass of frequencies and beats. this is close to a peak-time track. this is a high intensity track that holds the vibe in a state of impending release underpinned with a deep, open groove. 126bpm. a2 - slight transition takes the vibe very deep and keeps it there. a simple (genuinely less is more) drum pattern of a lightly hit snare drum, hi-hat and occasionally shaken guiro over a hypnotic bass pattern, hold the track in place for nearly seven minutes. a masterful control of tension offering the dj a number of options for where to take the dancefloor from this moment s respite. 119bpm.

incl. andy chatterly rmx !! gobal player and shootingstar nic fanciulli from great britain had many residencies in the world finest clubs like muretto (venice), space miami, terrace ibiza and brought his own night >club class< to the front by taking it to the ministry of sound london, where he invites artists like funk d void, danny tenaglia or rolando. at the beginning of 2008 he started the next event-series at the end in london called >atomic<. with his own label >saved records< he supports upcoming and young artists while being questioned as a producer and remixer at the same time. thus he worked for underworld, kylie, tiefschwarz, unkle or deep dish. with collegue james zabiela he builds the one & one project. with his mate andy chatterly he formes skylark and the buick project and was nominated for the grammys in 2007 with their remix for tiefschwarz & tracy thorns >damaged<.

andre lodemann has managed to create his own musical language by producing a very emotional psychodelic deep sound-tapestry. both tracks have very contrasting elements and surprising arrangements combining e.g. piano harmonies with dark aggressive alarm-signals. thriller meets drama

played by luciano, lauhaus, kabale & liebe and many more. its about time! with >channel by channel< markus homm presents his first solo ep on highgrade. until now, this cosmopolitan citizen of the world, who shares his time between hong-kong, moscow, london and nuremberg – has been part of the successful collaboration: homm & popoviciu. one vinyl ep and three digital releases have already made a strong impression with the highgrade faithful. with this ep and its four groovey house tracks, markus homm signals the springtime. the title track >channel by channel< already foreshadows where this journey will end: fleet footed rhythms meet sweet chords and result in a sunny house groover that immediately kills the winter blues >torn< on the flipside is also built around an irresistible melody, while >xpander< (b2) gets things moving a little faster towards the end. proving again, how skillfully markus homm can create a deep groove from his handpicked melodic elements. it doesnt need much imagination to understand that these three classy tracks will bring their euphoric impact to every dancefloor they touch. thanks for letting the springtime roll, mr. homm!

vinyl exclusive release! no digital !!!story02 brings you more tales from the deepside that have no author attached to them and rather sound like deephouse traditionals secretly and orally passed down from one wise deephouse initiate to the next. free from superficial glitzy effects, showy noodling or even the slightest nod to the latest fad in clubland every single one of these 3 tracks is like a condensed version of what deephouse is about and revokes mystic memories of nights in dark, bassridden basements. >deepcut59< is a manifest not for minimalism but simplicity where only the slow swelling of a chord can make you burst with joy and just the addition of a hi-hat will stir you into action with new vigor. >on the way back< over on the b-side features a relentlessly pushing, driving rhythm with abstract, piercing piano chords scattered all over while the title of the closing >rhodes on drums< says it all: sweet wailing, rhodes musings on >love and happiness< for those blue hours in the morning. this story is an epic!

from scndl incorporated, the underground organization that brought you >that s a good look<, we bring you a new scandal with >drama<. where >good look< was a funky, street corner get down, >drama< takes you to the darker side, populating the back alleys of an urban electro nightmare. with a driving nasty bassline, hip hop drum sounds, nerve racking vocal snippets and wu-tang-esque melodies >drama< delivers on it s title. two solid remixes from coco machete mainstays fukkk offf & dog tags take things in opposing directions, electro to minimal/techno, this is a package not to sleep on. get ready for the drama !coco machete team

here comes an extract of some of the best tracks in that album, perfect for djs who want to set dancefloors on fire, house tunes with an avantgarde feeling, deep grooves with a mental approach... a must! this is a limited edition coloured vinyl!

very limited 12inch taken from >listening tree< album, first come, first served! support comes from ricardo villalobos!!

3 cuts from the upcoming mix the vibe: teddy douglas & dj spen series!

compared by adam beyer, truesoul is the ying to the yang of the techno tastemakers better-known drumcode label. equally well respected, equally forward thinking, both labels are at the forefront of modern electronic music. operating on a broad remit and refusing to be restricted by genre boundaries, truesoul offers an oasis for the great and good of techno where they can experiment with elements of other electronic styles. having previously hosted the experimental works of cari lekebusch, joel mull, nihad tule, par grindvik, speedy j and dustin zahn, adam beyer himself takes up the mantel for this latest excursion with two cuts constructed from a broader electronic palette

in the back room at the raw fusion club in stockholm is where the tropical treats crew hold it down every month with their selection of the undiscovered black vinyl jewels from around the world. now they ve taken their world funk sound to vinyl for a classic gamm release. their re work of oneness of jujus african rhythms is an absolute blinder while waarewaah is another afrodelic monster that is sure to turn heads...

after a long break quagmire strikes back with a limited recordrelease. 300 pieces of vinyls only. this time, ion ludwig teamed up with thomas azier, a young dutch rising singersongwriter. together they blended their particular styles into four different tracks, all working soulfully and musical. all tracks where created with own recorded sounds. keys, vocals, harmonicas, djembes, bongos, shakers and so on where played by ludwig & azie,

larissa kapp was born in some idyllic concrete jungle city called asbest in russia, where she spent the first ten years of her life in a minimal, urbanely grey surrounding. there were not too many things, to keep her away from nerdish piano playing, until her family went to germany. there, after years of piano, singing and dance lessons (ballet, jazz, modern), she started her studies on a music high school, which, to be honest, wasnt exactly, what she wanted to learn.

volume 8 feat sylvester, boz scaggs and olympic runners!

aint no stopping us now. even if you might feel that the release pressure is on, we just cannot help to put out these gems (at least, we think thats what they are). what you hold in your hands (or on your laptop) is neo-house of the finest order. rhein-main kid robert dietz (cécille, be chosen etc.) was so kind to share his definition of h-muzik with us. to put it in a nutshell: >forward snipping< slices and cuts some nice vocal bits in a true ear candy way. even my brother gets goose bumps. >witness< sounds like a lost k.o.t. track resp. them being on the right track again and to round it all up, >faber mix< is a disc jockey tool that brings you from a to b or even z. and please, always keep paul >trouble< anderson in mind: a house is where you live in and a garage is where you park your car. loop d loop! already played by everyone…ha, ha, ha

minimalplus is an underground project that started quite a while ago and it is back with a new release. on the record minimalplus give you a legendary dutch underground dj called noes. it one of those guys who was there from the beginning. for a long time he had a solid residency at the transistor nights in the south of holland where he played with almost al big techno names like, jeff mills, joey beltram, surgeon, james ruskin, johannes heil, ben sims, robert hood, steve rachmad and the list goes on. now noes launches his first release on this underground imprint. one the aside the is hd which is like the man him self a little hyper. rolling percussion with some upwards movement. rocking but also a useful dj tool. one the bside there is the shit and it is! a rocking minimalistic rave sound, freaky sequence and easy to get a crowd going.

2001 album by outstanding producer exos from iceland, combining intense and relaxing moments of technoid minimalism.

darwin & backwall, based in stockholm, are one of swedens most up & coming djs/producers, they are part of the new generation of swedish talents besides names like albin myers, ali payami or alex patz. every thursday they run their own, very classy clubnight at solidaritet in stockholm where djs like s?astien l?er, arno cost, dada life, dabruck & klein, the good guys, john dahlb?k, david west, ida engberg, ?g? can, noir and many others were playing. they already started playing records around europe in clubs like honey club (brighton), ministry of sound (london), club zinc (dubai), beach club (z?ich), sin (dublin). their latest release bob-omb was directly signed by moguai, one of the most famous german djs, producer and owner of the punx label. with remixes by charles gudag?va and phatzoo (aka stefan engblom, one half of dada-life), bob-omb comes as an uplifting, energetic tune which gives the term of tech-house a new dimension

french artist, lee van dowski of num and cadenza lowers eyes and draws lips to partial smirks with his charming and witty release. „the variable man,“ based on the title of a science fiction story series from the 50’s, is brilliantly transmitted through a tunnel of sound engineering and audio design by lee van dowski. lee’s electronic rendering of „the variable man,“ distinguishes several dominant male voices accumulating a rhythmic momentum to the peak of the track, a peak where an orgasmic flow just stops short of the central explosion, fundamentally, fading the instrumentals before revamping again. the b-side of the track, „thomas coles lives,“ co-produced by agnès, comes alive with a fascinating mix of symbols and keyboards. „the variable man“ is lee’s second release on leena music, after his first 12“, „louder elvis,“ in collaboration with agnès appeared on leena in 2008. both tracks express very minimalistic tones yet are characterized by rather divergent

mathias schaffhaeusers excursions into whiteness, where any edge is protected by a fluff of white noise. sparkling!

dje lean aka confetti bomb has worked for a very well respected london record store for 9 years. hes also been a dj & live performer since the mid - nineties and has put these combined experiences into creating a unique form of stripped down, deep techno. his fever ep for london label underl_ne was featured on the uks bbc radio one and received extensive dj support at the highest level. he also features in the juno records 10th anniversary remix series with a peak time re work of carl craigs detroit experiment classic think twice. his debut ep for autoreply features an appearance from one of his favourite producers jerome sydenham who takes time out from his hectic dj schedule & ibadan label duties to provide us with a truly timeless mix of 10 second detox. with its persistent rolling percussion & warm deep pads the mix satisfies all senses. a short interlude follows this in the form of 5 second detox - created using an atari st & beat up yamaha sampler. this is the perfect tool to start or end your set with or to add your own beats to. the choice is yours. on the aa side we have 20 second detox - big sounding hooky techno featuring crisp percussion & analog synths incorporating long warm beatless periods with bursts of pounding drums. this track teases you until the mid section where it goes off all guns blazing. finaly detox is a lofi housy workout which has been described to us as troy pierce meets inner city...sounds interesting huh? drop the needle on it & make up your own mind.

venezuelan producer argenis brito graces us with his sophomore cadenza release, the imminent ep. renowned for his role as lead vocalist for senor coconut as well as his collaborative projects with artists as decorated as luciano, pier bucci, jay haze and samim, the multi-talented argenis solo work comes with some pedigree. resident in berlin since 2004, his distinctly latin interpretation of house is a step ahead of the game, with prior releases on junion and cadenza animating floors with that inimitable south american fervour. title track >imminent< is a playful affair,with bouncing bass and a shimmering synth melody dancing around the kick. intoxicating and funked up, the melodies call and respond in a fragmented conversation while pulsing echoed tones add depth to the mix. >mind body soul< stutters into a complex percussive pattern, coloured by warm keys and blocks of bass tone. funky is the word, as a distorted vocal directs bodies to the floor. deep and immersive, dark melodic synth movements plunge us into a sweaty and cathartic house hole. on the flip, >lolipop< combines electro and house elements into one cheeky dance with the devil. bubbling bass flows under cascading melodic synth, as fat percussion crunches around sharp vocal bursts. slick and futuristic, this is for that time of the night where looking backwards is not an option.closing the ep, >unreality< is as deep as they come. warm and uncompromising key stabs pulsate over a no-nonsense bass drive, accented by harmonising clav tones. living up to its moniker, the resonant melodies and hypnotic pace conspire to transcendental effect.

amplified orchestra provide more unhinged disco party on one ep than most dj s pack in one hour! this awesome new amplified release is part house, part disco with a hint of cosmic spaciness. arpeggio is a long and deep galactic trip with atmospheric strings, dope synths and spaced-out effects. an analogue bubblebath of sounds combined with a pumping disco beat and static bassline. the fighter is an excellent mid-tempo disco work-out. killer percussion with banging beats, grooving bassline and enchanting vocals provide for an hypnotic dancefloor nugget. rumble is a robotic an quirky electronic cosmic dancefloor stormer. amplified orchestra have been around releasing the dopest sounds since 2002. their releases on their own label, amplified, gained support from disco and house lovers all over the world. not a lot is known about who is behind the amplified orchestra moniker, although there is a chicago address stamped on the vinyl. but where the music comes from is irrelevant when it s good

big with marc romboy, wink, davidkeno, ian pooley, luciano, shinedoe,onur Özer, jimpster, tobi neumann,chris carrier, d julz, riva starr,anthony collins, laurent garnier,

having somewhat of a renaissance of late due to an infamous back-to-back session with ricardo villalobos, dj sneak aka carlos sosa has a history of continually staying ahead of trends and making house and techno that really matters. this makes him the perfect back in the box candidate (following on from dave clarke, louie vega and joey negro), where unearthed gems and anthems from days gone by are delivered with a fresh outlook

lukas beats back with 2nd part of audio developments and hits us with a triple-techno-package, where a minimal sound-amount lives up to maximum force. made in 1998 for swiss d3 records.

september 2008, nima gorji is spending 1 month at the house of his friend babalow baba ifa leri oma in ibiza. in cuban santeria, a babalow is the father of secrets, a shaman, a spiritual guide. the philosophy of ifa was brought by the slaves from afrika, especially nigeria, to the caribbean islands. it became santeria in cuba, vodoo in haiti, condomble in brasil. the yoruba language is used in the santerias books and the ceremonies as chants. nima assisted to some ceremonies where the babalow is cleaning somones soul, energy, or aura, and establish a direct conection with a special energy called orisha. each orisha has specific attributes like a color, tools, beads, and various patterns of percussion rhythm. nima is listening to all these beats coming directly from cuba, he samples some parts, and produces a new ep : azul y verde. we are blue is a tribute to yemaya, the mother of the sea. she represents maternity, fertility, and life on earth in general. her color is blue and her number 7. the chant is performed by lazaro ross a cuban artist who died in 2005. lazaro was a legendary akpwon, or lead singer in the yoruba tradition. warriors is a tribute to oggun, another main orisha. he represents the force and the work of human kind. he is working with metal, and he always carry a knife. his color is green and his number is 3.

franco cangelli is back on mowar with deep and spacy techno grooves. >locked on< goes in a stripped down techno alley with basic square grooves layered with a drifting sawtooth bass sound that gradually shows its teeth and gets you down there... estroe turns this groover into a deep workout, soul music for emotional cyborgs, with strings creating a melancholic detroitish feel. >create your own space< is a techno soul track where stabbing chords and lullaby pads make sweet love to square bass melodies and off-beat rhythms. it s a deep groover in the strictest sense. glasgow s solab from seventh sign give the track a more uplifting feel retaining the original s deepness but adding an element of raw dancefloor friendliness. mowar stands for quality deep techno and this third release delivers you just that

leo anibaldi was born in 1972 and at the age of 15 discovers his passion for electronic music. thanks to the advent of the first computers like commodore vic 20 and 64, he begins to create his first loops. after one year leo start to play in outskints clubs under the pseudonym dj mc, when was impossibile to find in rome any trace of electronic beat. he becomes a big analogics synths collector and he decide to spend his daily life into the creation of beat groove. in 1990 leo begins his recordings career at acv records where he will make more then 20 albums like: attack random, riders of the future, noise generation, muta, cannibald and aeon. in 1991 leo meets lory d and in a small garage located in the north of rome, they start the alternative music movement universally known as the sound of rome, who spread the techno music in rome and whole italy. in those years leo is concentrated to bring his analogic live set around the world, he plays in the best techno parties like one the first love parade edition in berlin. in 1995 leo decides to cut the relation whit acv records and moves to rephlex, label of his friend aphex twin where he will make the album void. 2008. cannibald record was born, leos personal record label, and he is back with a 4 track ep. feed1 is a hypnotic techno sound, feed2 a deep, spaced out techno track and feed 3 modern minimal acid. leos older hit >attack random< got remixed by francesco pierguidi.

untill last year sound and stereo were just two words that popped up every once in a while in your hifi-installation s manual. in the beginning of 2008 those two words stopped being just random: sound of stereo saw the light of day. in only a few months time they conquered the hearts of music lovers all over the world. the belgian scene also responded really well to their presence and they were noticed rather fast by the famous lektroluv label. in november their first ep came out and had massive response in belgium and abroad. one of the singles on that ep – supah dupah – is said to be played over 100 times each weekend in belgium alone . a follow-up ep is nothing more than a logic continuation of this succes. the new single heads up! is already being tracklisted by the likes of crookers and bloody beetroots. bloody beetroots liked the track so much that they decided to make a remix of it, as well as dj manaia, a portuguese wonderboy from the kuduro-surroundings of buraka som sistema. at the end of february the new ep will be presented at culture club ghent, one of belgium s most legendery clubs, where international bigshots such as 2manydjs and the glimmers had a residency. in the beginning of march the heads up! ep will be available online and in the shops. so get your rocks off, your heads up and enjoy the sound of stereo!

big with: reboot, vera, federico molinari, frank lorbeer, dorian, meat, karotte, gregor tresher, lauhaus, sebbo,?below is proud to introduce two new talented artists from italy alex moments & matt brown aka alessio mommi & mattia bruni showing, there is hope and always a reason to listen to demo files! this guys are gonna rock your booty! influenced by such artists like reboot, luciano, ricardo, markus fix, alex and matt found there very own style to hijack the dancefoor. showing to be able to deliver the full range of clubmadness they made with yakamoz an epic, bassdriven tribal bomb with ethnic vocals. rupert is paying his tribute to chicago where bee bop is taking advantage of deep basslines and beats combined with pure italian funkyness. but as always, we dontt want to waste your time trying to explane how these tracks sounding just listen by your own!

connective zone are graham sims and simon button, also known as the invincibles. on unxplored beats #9 they deliver the perfect soundtrack for a flight with your friends to a place, where spring never ends.

mr. resmann is back with some experiences from the lost paradise. he has eaten a(pples) crispy, juicy. and always remind: an apple a day keeps the doctor away! slightly high from vitamine c(hord) he was taking place on cloud b to swing in the rhythm of live and takes a ride out his funkiest places from where he got back in happiness

this hot new e.p. for dessous introduces two new artists to its roster, in the form of well known and highly respected producer & dj ripperton, who runs the successful perspectiv label, alongside co-owner and recording artist sam k. this mixed and exciting release is headed off by the deeply spaced and simply hypnotic ‚eze‘, a straight collaboration between ripperton and sam k. its bouncing, deep techno pump underpins the track and keeps the pressure constant, while a wonderful phasing synth motif is explored and unfurled as the journey continues. beautiful atmospheric modern dance music! next sam k takes the reigns alone as he introduces the slower, fantastic world of ‚desperate housetrack‘. the title might be a clue to where the melody takes its inspiration, but this tough little groover has more than one surprise up its sleeve, showing off sam‘s love for slow burning, thoroughly explored arrangements. ‚slipstream‘ is ripperton‘s own unique solo voyage through contemporary acid house. its a stripped, low-riding jam that harks back messages from days of old but still had that fresh 21st century sound going on. a great dj tool and indeed a bold statement about the merits of keeping it deep!

rarities and b sides collection sawdust includes all the pretty faces (which was the b side of when you were young), two movie soundtrack tunes, shadowplay (a joy division cover from control, anton corbijns biopic of ian curtis) and move away (from spiderman 3), as well as a cover of kenny rogers and the first editions ruby, dont take your love to town (written by mel tillis). the collection also contains songs which werent completed for hot fuss and sams town. the killers recently went back into the studio to finish the tracks, including tranquilize featuring lou reed.

special reissue of the 1982 sugarscoop records release of plastic bertrands - stop ou encore. this extremely-rare slice of sleazy electronic disco was huge both on the cosmic scene and in chicago where it was championed by the legendary dj ron hardy !!

we are very happy to announce the return of luis radio & raffa from last years smash the mood back to the seasons limited imprint! this record picks right up where the mood left off, dirty synth stabs and drums to rock any dance floor you play it to... also in collaboration on the project this time around is the up and coming new star on the underground circuit tony loreto. the madness continues...

with his first release ever >space ok ep<, stephen hellm enters k-records with a serious statement.the lead track - space ok - combines classic synth parts with a rythmic drive, and bass in your face kick. creating an ambiant fit for the highlights of the evening. workflow is a peaktime stomper with an uplifting synth and stimulating percussion that will set many dancefloors on fire. without a doubt a must-play for all those hands-in-the-air-moments.where workflow left you on a laser-filled dance floor, brk-durch takes you deep below the surface of the earth. its a 10 minute trip with a dark and growling melody that gets inside your head, never letting you go. there should be a warning attached to this song, saying: >caution, only to be used in obscure clubs at times when getting freaky and decadent.<mastered by robert babicz aka rob acid !this release comes in a white black marbled vinyl, limited to 500 copies worldwide!.

part 1 of the new double-release from tiefschwarz aims at the heart of house music: soul. “on&on” is a first-class arranged club track. starting off with a wonderful mellow theme, that is adumbrated by the bass line in an one-and-a-half minute long exposition. the track ups the tempo with an additional hi-hat resolving into a shuffle beat. in double time, we move on towards the first break. here an edgy, minor key-chord sequence is introduced, making it obvious for everyone, that this track is gonna take off. eventually the keys function as a counterpoint to the classic bass line. a four-to-the-floor “on&on” vocal sample takes over after the break, adding another percussive aspect. as the track goes on a mulitiplicity of side elements sets in - no room for tediousness! in the end the “on&on” vocals resolve into “it’s so simple… . who knows, but this could be a broad hint to all the tech-house academics out there. no matter what, this grande finale raises a smile from every last sweaty soul on the dancefloor. with “best inn” on the b-side tiefschwarz create a dance classic, dressed in 2009 fashion. reminiscent of long gone nu-groove times, a traditional house beat - including a tiny off-beat tinker bell - blasts out of the speakers. a slured synth-organ provides the track with that certain edgyness. here, the brothers keep it laid-back yet exciting at the same time. this piece goes on and on and on - and you yourself run alongside, not wanting to pause. but watch out! at the latest in the second break, tiefschwarz put nostalgia to the test via some shockingly muffled metal drums. one of these moments, where you wish yourself back into the middle of an eight-hour deep-house set in 1992. the train departs. one thrillingly beautiful landscape after another runs by, until the warm sun strokes of the south suddenly rouse you out of slumber. arrived

its time for catscan to join the masters of hardcore - thats where he belongs! these 4 bombs are the best evidence!

nice guy and music freak giorgio roma is not new to the house-music headz: along with friend and studio partner santos already graced best djs record boxes thanks to that huge tribal-house bomb named thailand released on mantra vibes and tribal spain a few years ago... since that our giorgio roma has been a firm agitator of the local rome club scene playin the best after parties and secret location one-off parties around. (check giorgios myspace for the next dates of neutra night, an insane one-off party where usually giorgio show-off his djing skills). >buzzing jazz< and >every possible mistake< are giorgio and santos first output since thailand but its worth the wait. support by steve lawler, tedd patterson, circoloco djs, tomy de clerque, grafiti djs and anendless list of djs.

the next installment from the new beyond imprint is with us, featuring two newcomers from the thriving us underground, kapuchon & benny rodriques. the pair bring a magical detroit infused collection of warm, urgent and modern house music into our peripheral vision where its simply hard to ignore … like a well loved vintage drum machine tweaked to perfection, or a dusty old synth rejuvinated, >and again< draws inspiration from the rich synthesised landscapes of classic detroit techno, however adds a totally fresh and modern aesthetic, through its use of precise drum fills and beatifully crafted harmonies. on a more thoughful, soulful tip, >unexpected< unravells itself with smooth chord atmospheres, driving, solid-state percussion and teasing delay fx. the story might be a familar one to those who have their ears firmly pressed to the dancefloor, but for good reason, as these two fine storytellers have crafted a golden moment for the late, late hours. the acidic ride of >potato tomato<, with its pushing sub bass and glistening crescendos is perhaps the toughest cut of the e.p, and delivers the energy where its needed whilst still holding onto that classic, deep-as-dawn chicagotodetroit vibe.